Well, here's a few book reviews I did when I was 15.... makes sense sticking them here since I'm whacking on everything from my old site.

I'd say I'll do more soon but I know I won't.

****

When I think of feminism (and I know many will disagree) I think of strong women fighting for equality. EQUALITY, as in equal rights and no better gender. Solanas called herself a "superfeminist" (and is hailed by many as some sort of heroine) but her sexist attitudes and intolerant nature make her an insult to the cause.

This book is witty, bitter and an enjoyable read, but I view it in the same way as I'd view a racist, homophobic or xenophobic text - I realise that it's the product of a disturbed mind. Her life of prostitution and being abused by men explains her bitterness towards them, but it's no excuse for her violent hatred towards the entire male gender. As many reviewers have pointed out, if the roles had been reversed (a man writing about killing all women) it would never have been published, and would be considered extremely sexist: why should it be any different for a female author?

Sure, this is a good book. It's hilarious in places, and full of good quotes to use when your boyfriend's being an asshole, but no-one can seriously support her idea of a perfect world (devoid of all men) Not only are her theories blatantly discriminative, violent, intolerant and, what I personally consider to be antifeministic... but her idea of a perfect world just isn't practical.

*****

I don't like sci-fi, but I loved this. This is the first Vonnegut I've read (I took a chance after reading so much praise for it) and it definitely won't be the last. It's one of those rare and wonderful books in the same vein as Animal Farm: simple prose, easy to read, yet with ironic tinges and thought-provoking depths; a novel that can be read and enjoyed at many different levels.

Cat's Cradle is narrated through Jonah, an author who aims to write a book on the single day the atomic bomb was dropped on Hiroshima. On investigating the atomic bomb's main founding father (and his three children) he is told about a *non-existant* substance with the capacity to provide all water on earth with a different molecular structure, turning it into Ice 9 (ie, a substance that could bring about the end of the world) A different assignment takes Jonah to the small island of San Lorenzo where he encounters Felix Hoenikker's three children and a society where the religion of choice (a religion that everyone knows is based on lies, yet still has utter faith in) is punishable by death, for the simple fact that it adds excitement to the dull lives of the inhabitants. I won't go any further...

The thing that delighted me most about this book was the way in which it was written. A lot of great and influential books are ones that (on the whole) you enjoy, but take a while to get into, and at times you feel like giving up on: you know the book in question is good literature, but the style and plot make finishing it seem a chore.
Similarly, a lot of fast-paced books hold little impact, don't challenge the mind and are forgotten the instant you read them.
Kurt Vonnegut has managed to write a powerful and memorable novel in a short, snappy style: this book has everything that makes a compelling, challenging read. Vonnegut lets you get a feel for the characters without going into lengthy descriptions, he manages to make sharp, subtle criticisms of religion, human nature and society without rambling or whining, his plot is exciting yet not unrealistic, he creates a hellish world that plays on everyone's fear of obliteration in precious few words. I thought the ending was too abrupt, but it fitted well with the rest of the story... it would have been even more disappointing if he'd created a satisfying, everything-tied-up-nicely ending. I'm sure it's making some great and bitter point about modern man and his beliefs... just never quite figured out what it was...

*****

Wise Children is the funny yet touching tale of the lives of a theatrical family. Narrated by one of the Chance twins, Dora, it charts the ups-and-downs of the twins' lives, as well as encounters with both loved and hated relatives; with almost every member of the vast family a theatrical performer.

I've read quite a few Angela Carter books, and (while Wise Children is still written in that unmistakable Carter style) it seems far more light-hearted than, for example: Love or The Magic Toyshop, and has a completely different vocabulary, as Carter adopts the voice of Dora Chance -- deliciously witty, with a strong feminist tone, relatively simple vocab, and an entirely unrelenting appetite for drama.
I was a little dubious about reading Wise Children, as the blurb implied a knowledge of Shakepeare would be beneficial when it came to understanding the book, and that the multiple sets of twins and family secrets would become highly confusing. While any subtle Shakepeare references (aside from the obvious) went right over my head, it seems that they played a minor part in the book, as it's full of raucous wit, bubbling personality, theatrical dramatics, and an inexhaustable thirst for life. As for the numerous characters and their relation to each other: Carter manages to evoke such a vivid picture and to bestow each character with such simplistic, unique features, that you become invovled in the Hazard/Chance story (therby avoiding any confusion.)
While the ending to this book seemed a little too good to be true, it fitted in with the unrealistic aspect of the book, and the dramatic nature of nearly every major character.

A great read (as with almost every Angela Carter book) I highly recommend Wise Children.